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2004 Festival Recap

Updated: Oct 17

Originally posted on our website and recreated here for your reading enjoyment.


In 2004, we staged The Merchant of Venice and Twelfth Night. The summary of both productions, as included in the program, can be found at the bottom of this page.


The Faces...

Here are some of the faces you saw at The River City Shakespeare Festival 2004.


Directors

John Kirkpatrick

Marianne Copithorne


Actors

Julien Arnold

Chris Bullough

Kevin Corey

Sheldon Elter

Annette Loiselle

Tiffani Mann

Paul Morgan Donald

Troy O'Donnell

Jeff Page

Michael Scholar, Jr.

George Szilagyi

Daniela Vlaskalic

John Wright


Young Company

Shannon Blanchet

Michael Bridgeman

Mark Jenkins

Melissa MacPherson


Composer

Aaron Macri

Paul Morgan Donald


Designers

Cat Mudryk

Narda McCarroll - Costumes

Patrick Du Wors

Renate Pohl


Stage Managers

Erica Letchford

Tracey Bryne

Beth Grieve



The Merchant of Venice

In Venice, young Bassanio needs a loan of 3,000 ducats so that he can properly woo a wealthy heiress of Venice named Portia. To get the necessary funds, Bassanio entreats his friend Antonio, a merchant. Antonio's money, unfortunately, is invested in merchant ships that are presently at sea; however, to help Bassanio, Antonio arranges for a short-term loan of the money from Shylock, a Jewish usurer. Shylock has a deep-seated hatred for Antonio because of the insulting treatment that Antonio has shown him in the past. When pressed, Shylock strikes a terrible bargain: the 3,000 ducats must be repaid in three months, or Shylock will exact a pound of flesh from Antonio. The merchant agrees to this, confident in the return of his ships before the appointed date of repayment.


At this stage of the play, Portia is introduced: due to her father's will, all suitors must choose from among three coffers—one of which contains a portrait of her. If a man chooses the right one, he may marry Portia; however, if he chooses wrong, he must vow never to marry or even court another woman. Princes of Morocco and Arragon fail this test and are turned away. As Bassanio prepares to travel to Belmont for the test, his friend Lorenzo elopes with Jessica, Shylock's daughter (who escapes with a fair amount of Shylock's wealth in the process). Bassanio chooses the lead casket, which is the correct one, and happily agrees to marry Bassanio that very night.


In contrast to this happiness, Antonio finds himself in a pinch. Two of his ships have already wrecked in transit, and Antonio's creditors—including the vengeance-minded Shylock—are grumbling about repayment. Word comes to Bassanio about Antonio's predicament, and he hastens back to Venice, leaving Portia behind. Portia, however, travels after him with her maid, Nerissa; they disguise themselves as a lawyer and clerk, respectively. When Bassanio arrives, the loan is in default and Shylock is demanding his pound of flesh. Even when Bassanio (backed now by Portia's inheritance) offers many times the amount in repayment, Shylock is intent on revenge. The duke, who sits in judgement, will not intervene. Portia enters in her guise as a lawyer to defend Antonio. Through a technicality, Portia declares that Shylock may have his pound of flesh so long as he draws no blood (since there was no mention of this in the original agreement). And, since it is obvious that to draw a pound of flesh would take Antonio's life, Shylock has conspired to murder a Venetian citizen; he has forfeited his wealth as well as his loan. Half is to go to the city, and half is to go to Antonio.


In the end, Antonio gives back his half of the penalty on the condition that Shylock bequeath it to his disinherited daughter, Jessica. Shylock also must convert to Christianity. A broken and defeated Shylock accepts in a piteously moving scene. As the play ends, news arrives that Antonio's remaining ships are returned to port; with the exception of the humiliated Shylock, all will share in a happy ending.



Twelfth Night

Viola has been shipwrecked in a violent storm off the coast of Illyria; in the process she has lost her twin brother, Sebastian. She disguises herself as a boy and assumes the name Cesario for protection. Thus disguised, Viola becomes a page in the service of Orsino, the Duke. It seems that Orsino is having little luck courting Olivia, who is in mourning for the death of her father and brother. As Orsino's proxy, Viola is sent to Olivia with love letters. Viola refuses to budge until she is let in to see Olivia; Olivia, intrigued by the impudent young "boy," contrives to get "Cesario" to return by sending her steward, Malvolio, after her with one of Olivia's rings. Viola realizes to her dismay that Olivia has fallen for her Cesario rather than Duke Orsino—further complicated by the fact that Viola has had stirrings herself for Orsino.


In the two major subplots of the play, Sebastian (Viola's twin, presumed dead) comes ashore in Illyria thinking that Viola has drowned in the shipwreck. A man named Antonio rescued him from the surf, and continues to aid him—at some risk to himself, as Antonio fought against the Duke at one time. Meanwhile, in Olivia's house, Sir Toby Belch (her uncle) has hoodwinked a foppish Sir Andrew Aguecheek into supporting him by convincing him that he could be a suitor to Olivia. There is a running feud between Malvolio and Belch; with the help of Maria, Olivia's maid, and Feste, a clown, Belch plots to make a buffoon of the steward. Maria writes a love letter to Malvolio that will make him think Olivia has fallen for him.


Malvolio falls entirely for the sport, which eventually leads to his confinement as a madman. All the while, Belch is egging Sir Andrew into a duel with Viola's "Cesario" character as she departs from Olivia; Olivia is now entirely smitten with Cesario, even though Viola continues to press Orsino's cause. As Viola and Sir Andrew prepare for a duel that neither one wants, Antonio happens upon the scene. Believing Viola to be Sebastian, he intervenes and is arrested. Viola, of course, does not recognize Antonio. Later, Belch and Sir Andrew encounter Sebastian, who doesn't back down from Aguecheek when challenged and resoundingly beats him. Olivia intervenes in the matter, and—mistaking Sebastian for Viola/Cesario—presses her suit for him. A bemused Sebastian agrees to marry her.


Antonio is brought before the Duke for questioning, and Viola relates the events of the duel. Antonio tells everyone how he dragged "this man" from the surf, saving his life. Then Olivia enters, searching for her new husband—which she thinks is Viola (as Cesario). Adding to this confusion, Belch and Aguecheek enter claiming that Viola/Cesario has violently assaulted them. In the midst of Viola's denials, Sebastian appears. The brother and sister recognize one another and are reunited; Sebastian helps to clear the confusion as to who fought and married who. At the end, Orsino and Viola pledge their love, Olivia and Sebastian will remain satisfactorily wed, and Olivia rebukes Belch and Maria for their abuse of Malvolio, who vows his revenge upon the whole lot. Belch agrees to wed Maria to make up for getting her in trouble, and all—except the disgruntled Malvolio—will apparently live happily ever after.


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2005 Festival Recap

Originally posted on our website and recreated here for your reading enjoyment. In 2005, we staged Romeo & Juliet and Love's Labours...

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